Once you hear the bandishi , you can easily recognize the raga of the song. Since musical instruments do not utter words, the listener can concentrate and grasp the raga very accurately after repeatedly listening to the notes of the tune. What a composition by Great SJ! And this is a fact. Another composition Muiyakka muiyakka , by Purandaradasa , also begins with this scale. I have experienced that I could recognize the raga of a song while listening to it from a farther distance rather than by listening to it closer. This will help you to grasp the bandishi of raga Shivranajni.
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Lata Mangeshkar Lyrics of the Kishore Kumar version: In my flute recordings in audio file 1, I was accompanied on the Tabla by my friend, Mr. I just sat next to my synthesizer and played raag shivranjani notes of raga Shivranjani in about 10 minutes time, which followed my mood at that time. Kishore’s version raag shivranjani more popular than Lata’s version. In my second audio file, I composed my own tune based on raga Shivranjani and played it on my synthesizer.
I wonder why other Music Directors including R. Now the bandishi of this tune is the same as the bandishi of the famous Hindi semi-classical song Jane kahan gaye vo din from Film Mera Naam Joker which in my opinion is the best composition ever in Hindi film songs based on raga Shivranjani.
Many years have passed since we left each other. But note that my rendition on the synthesizer is entirely my own composition. Aroha and avaroha notes of the raga Shivranjani are very close to raga Bhoopali except that in raga Bhoopali, the GA note is shudha whereas in raga Shivranjani, the GA note is komal which is represented as lower case ga.
Whenever a Music Director composes a song based upon a given ragahe makes sure that he uses the bandishi of that raga. You will also see that in this synthesizer tune, in between I have played 2 violin pieces of intermediate music of the song Jane kahan gaye vo din at a fast tempo. Raag shivranjani Graha bhedam on Shivaranjani for more details and an illustration.
Raag Shivranjani – Indian Classical Music –
In Carnatic music, two ragamalikas songs which have different stanzas in different ragas start with a raag shivranjani in Shivaranjani. Actually, you can use the following notes and play the song on any instrument.
Idhaya Koil Svappana vaazvil Film: These differences set apart raga Shivaranjani from raga Bhoopali. This insane heart will not know what game is being played.
Bees Saal Baad Piya milan ki aas Raag shivranjani Just to give an example: SA in bold letter indicates the note from Tar Saptak third octave. This is my first humble effort to compose and play a tune based shivranjai a raga.
Note that it requires a great raag shivranjani of expertise to use a different note raag shivranjani a given raga other than stipulated in Aroha and Avaroha of that particular raga. I am giving these notations below so as to make the reader understand what exactly bandishi means. Nakshathiram Enenna paada padutharan Film: Illayaraaja Idaya veenai thoongumpodu Film: The compositions in this scale are: Another famous composition in this raaga is ‘Jagat janani’ rendered in Tamil language.
Every raga has its own rules for Raav and Samvaadi. Since musical instruments do not utter words, the listener can concentrate and grasp the raga very accurately after repeatedly listening to the notes of the tune.
Also, in order to grasp any given ragaone should listen to the same raga presented by different artists. But lately, raag shivranjani South Indian Classical music, this raga is being sung in a similar way as in Hindustani Classical music.